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DTSTART;TZID=America/Los_Angeles:20251114T103000
DTEND;TZID=America/Los_Angeles:20251114T120000
DTSTAMP:20260427T211801
CREATED:20251010T183111Z
LAST-MODIFIED:20251113T193009Z
UID:124596-1763116200-1763121600@www.aialosangeles.org
SUMMARY:ARCH TOUR FEST: The Hollywood Bowl
DESCRIPTION:ARCH TOUR FEST: The Hollywood Bowl\nNestled into the southern base of the Hollywood Hills in Los Angeles\, the Hollywood Bowl sits on prime real estate. But location aside\, much of the venue’s success over the years can undoubtedly be attributed to the high production values that have long been its hallmark. Although the Hollywood Bowl is a natural amphitheater\, it’s a challenging venue\, attracting a sophisticated and broad-ranging audience\, from tourists to classical music enthusiasts. With entertainment from symphonic shows to legendary rock bands like The Who and new groups like Chromeo\, expectations for getting the right sound for each musical genre are high. Patrons expect the entire experience to sound\, look\, and feel extraordinary because that’s all part of the reputation of this venue. \n10:30am – 11:30am – Meet at the Hollywood Bowl Museum to start the tour. \nEmail Confirmation that goes out 24 hours prior to the event \nTour Led By: \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nScott Sugden – Director of Product Management\, Electronics & Software\, L-Acoustics \nSixteen-year L-Acoustics veteran Scott Sugden\, Director of Product Management for Solutions\, is a key driver of the success and growth of L-Acoustics products and technologies; and is responsible for bringing innovative and ground-breaking L-Acoustics products to fruition. \nA Wisconsin native\, Scott studied Physics at the University of Wisconsin Eau Claire\, then toured with pop\, rock\, and theater shows worldwide\, working on system and site designs for several well-known festivals. Working closely with creators\, FOH Engineers\, sound designers\, and the L-Acoustics Certified Provider Network during his tenure at L-Acoustics\, Scott has supported the success of a diverse range of projects such as Coachella\, the Hollywood Bowl\, The Book of Mormon\, the Houston Livestock Show and Rodeo\, and more. \nHis synergism has been a critical agent in facilitating the first L-ISA US performances for Bon Iver\, ALT-J\, Lorde\, and others\, helping to bring the power of L-ISA Hyperreal Sound too excited and immersive-hungry fans all over the continent. \nA knowledgeable and engaging presenter\, you’ve probably seen Scott on various L-Acoustics video tutorials and leading demos and presentations for AES\, InfoComm\, ISE and conferences around the globe. \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nFrederick Vogler – Sound Designer: \nMulti-Grammy Award-winner Frederick Vogler enjoys working as principal sound designer and FOH mixer for the Hollywood Bowl and Walt Disney Concert Hall. \nThroughout the year\, he also records the Los Angeles Philharmonic\, LA Opera\, Los Angeles Master Chorale\, and the Mormon Tabernacle Choir for commercial and broadcast release. Vogler works closely with composers\, artists\, directors\, producers\, and architects. Vogler’s audio-visual design and con- sulting company\, Sonitus\, has worked on projects for Facebook in Menlo Park\, Cali- fornia; the New World Symphony in Florida; Stanford University in Palo Alto\, California; and CorpArtes in Santiago\, Chile. Sonitus focuses on practical solutions with necessary technologies for modern-day performing arts and entertainment. \nVogler has worked in feature film as a music-scoring mixer for composers such as David Newman (Norbit\, Spirit) and Jeff Richmond (Baby Mama)\, as well as on-set music playback/live record engineer for movies including Sister Act I & II\, What’s Love Got to Do with It and Preacher’s Wife. \n  \nArchitect: L-Acoustics (sound)\nAIA CES: 1.0 LU Approved  \nLearning Objectives: \nIdentify key acoustic design principles applied in large outdoor performance venues\, including strategies for sound projection and audience coverage. \nAnalyze how the architectural geometry and material selection at the Hollywood Bowl contribute to sound clarity and uniformity across seating zones. \nEvaluate methods for mitigating noise spillover into surrounding neighborhoods while maintaining optimal performance acoustics. \nDescribe how acoustic design considerations enhance audience comfort\, performer experience\, and community compatibility — all critical elements for public venues. \n  \nParking\nFree onsite parking at Hollywood Bowl Lot A.
URL:https://www.aialosangeles.org/event/arch-tour-fest-the-hollywood-bowl-tour-2/
LOCATION:The Hollywood Bowl\, 2301 N Highland Ave\, Los Angeles\, CA\, 90068
CATEGORIES:Tours
ATTACH;FMTTYPE=image/png:https://www.aialosangeles.org/wp-content/uploads/2025/10/Hollywood-Bowl.png
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DTSTART;TZID=America/Los_Angeles:20251114T110000
DTEND;TZID=America/Los_Angeles:20251114T120000
DTSTAMP:20260427T211801
CREATED:20251008T154256Z
LAST-MODIFIED:20251029T205513Z
UID:124299-1763118000-1763121600@www.aialosangeles.org
SUMMARY:ARCH TOUR FEST: Solar Future House
DESCRIPTION:Photo Credit: Jorge Ruiz \nARCH TOUR FEST: Solar Future House\nThe Solar Futures House is the first permitted 3D printed dwelling in Los Angeles. It is a high-performing\, net zero\, sustainably designed home built in 2023 to address housing affordability and climate change with a special focus on fire resilience. In that it is prescient. A recent winner in the climate category of the AIA LA Residential awards\, the home incorporates passive and active strategies using a systems thinking lens. From water conservation to energy storage and gray water recycling\, the project touts several first use case scenarios. \nTour Led by: \n  \nProf. Kishani De Silva\, Lead Faculty of the Solar Futures House\, Woodbury University \n  \nArchitect: Woodbury University\n  \nTour is FREE for Students. Must show SCHOOL ID at CHECK IN. \n  \nBuilding Credits: \nWoodbury University Faculty and Student Team; \nStructural Engineer = Nous Engineering; \nMEP = Breen Design Group; \nSustainability Consultant = VCA Green \nAIA CES: 1.0 LU|HSW Approved\nLearning Objectives\n1. Gain an understanding of how 3DCP construction operates in the AEC industry as a faster\, smarter building technology.\n2. Acquire insight on how concrete as a building material can be more sustainable through the use of SCM’s (Supplementary Cementitious Materials) and Co2 sequestration.\n3. Discover passive strategies incorporated to achieve high performance and energy efficiency.\n4. Explore the dwelling to understand its climate resilient features with a special focus on fire resilience. \nParking\nFree Parking.  Attendees are permitted to park in Lot P1. It is closest but there is available parking in Lot P3 as well.  Just a short walk.
URL:https://www.aialosangeles.org/event/arch-tour-fest-solar-future-house/
LOCATION:Solar Futures House\, 7500 Glenoaks Blvd\, Burbank\, CA\, 91504
CATEGORIES:Tours
ATTACH;FMTTYPE=image/png:https://www.aialosangeles.org/wp-content/uploads/2025/10/Solar-Futures-House.png
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DTSTART;TZID=America/Los_Angeles:20251114T110000
DTEND;TZID=America/Los_Angeles:20251114T123000
DTSTAMP:20260427T211801
CREATED:20251009T192007Z
LAST-MODIFIED:20251029T211052Z
UID:124491-1763118000-1763123400@www.aialosangeles.org
SUMMARY:ARCH TOUR FEST: The North Range\, William Andrews Clark Memorial Library\, UCLA
DESCRIPTION:Photo Credit: Tom Bonner \nARCH TOUR FEST: The North Range\, William Andrews Clark Memorial Library\, UCLA\nThe Clark Library is an amazingly little-known Renaissance revival masterpiece built in 1926 by philanthropist William Andrews Clark\, Jr. as a memorial to his father\, a notorious copper baron and a U.S. Senator. It was designed by the city’s classiest architect\, Robert Farquahar\, as a lavishly detailed\, deeply encoded message to the cognoscenti. It glitters from a walled block in a once grand Los Angeles neighborhood. At Clark Jr.’s death in 1934 the entire property was willed to UCLA with the stipulation that nothing be built above grade within 100 feet of the library. By then Clark had removed ten neighboring houses\, relocated a two-story chauffeur’s quarters\, extended an existing brick wall around the block\, and engaged landscape architect Ralph Cornell to remodel the site as a public park. Whatever Clark had in mind\, it was never completed. The library drifted for the next 60 years as an unfinished landscape made emptier by the removal of Clark’s house and observatory. The Clark is not only the focus of research activity as the UCLA Center for 17th and 18th Century Studies\, but also an active venue for chamber music. \nFunding allowed construction of support facilities as a first step in transforming the library site into a community of scholars. This posed questions of enclosure\, anchorage\, juxtaposition\, and landscape dynamics. The plan builds on Clark’s concern with enclosure- an extendable wall thickened to 22 feet\, cracked open with daylight and as tall as we could push it. Four rectangular modules are separated by courtyards to form a “range” (an 18th century term used by Jefferson at the University of Virginia) that runs 270 feet along the north side of the block to leave the center suggestively open. It houses editorial offices\, storage\, conference\, food service facilities\, and guest quarters. In form and color\, it relates to Clark’s stocky red brick wall and not to the delicate library from which it respectfully withdraws. Operating as a spatial counterweight\, it lessens the emptiness of the garden expanse\, and its two-story height further encloses the open garden. Its mural presence palpably anchors the library when seen from across the lawn. \nDesign Awards: AIA/Los Angeles 1990; AIA/California Council 1991; AIA National Brick in Architecture 1995 \nTour Led by: \nBarton Phelps\, FAIA emeritus \nOver nearly a half-century of practice\, Barton Phelps\, FAIA\, has contributed to the profession of architecture in a remarkable variety of ways. He is an inspiring teacher\, an engaging writer\, editorial leader\, and a determined advocate for progressive change. His leadership at local\, state\, and national levels-for the AIA\, NEA Design Arts\, GSA Design Excellence program\, Society of Architectural Historians\, Mayor’s Institute on City Design\, the University of California\, and the City of Los Angeles-has enhanced public environmental policy\, elevated architectural journalism\, and set new standards for recognition of design excellence. Above all\, Barton Phelps is an insightful designer\, whose work reveals a subtle\, studied grasp of the dynamics of urban and rural landscapes. He was the 2022 recipient of the Lifetime Achievement Award from AIA/California. In addition to the North Range of the Clark Library\, projects for UCLA include the Seismic Renovation of Royce Hall\, the East Building of the University Lab School\, and the Adademic Advancement Center. Other new buildings include L.A. Public Libraries in Los Feliz\, Hollywood\, and Woodland Hills\, the performing Arts Center and Student Commons at Thacher School in Ojai\, and a major expansion of the Cabrillo Marine Aquarium\, as well as residential and ecological retreat properties in California and across the U.S. \nDerek Christian Quezada Meneses – Head Librarian\, William Andrews Clark Memorial Library at UCLA \nDerek Christian Quezada Meneses is the Head Librarian of the William Andrews Clark Memorial Library at UCLA\, where he oversees one of the nation’s most distinguished collections of early modern\, fin-de-siècle\, and modern fine press materials. Before joining UCLA\, he held positions at the University of Southern California\, the University of California\, Irvine\, and the Getty Research Institute. \nIkumi Crocoll – Clark Library \nIkumi Crocoll has been the Instruction & Engagement Librarian at UCLA’s William Andrews Clark Memorial Library since 2021. Previously\, she worked as the Manuscripts & Special Collections Librarian at the Daughters of the American Revolution Library in D.C. and as a reference librarian at the Newberry Library in Chicago. She holds a Master of Science in Information from the University of Michigan and a Master of Arts in the Humanities from the University of Chicago. \n \n\nArchitect: Barton Phelps & Associates\nBuilding Credits: \nGeneral Contractor: California I.B.A.\, Inc. \nStructural Engineer: Melvyn Green & Associates \nLandscape Architect: Robert M. Fletcher \nInterior Designer: Audrey Albers \n\nAIA CES: 1.5 LU Approved\nLearning Objectives \n1) Design for low-cost durability \n2) Envision building as landscape \n3) See architecture as language \n4) Approach functional program as direct generator of building form. \n  \nParking\nParking is available at a large\, on-site lot through an open gate off Cimarron. There is no fee to park.
URL:https://www.aialosangeles.org/event/arch-tour-fest-the-north-range-william-andrews-clark-memorial-library-ucla/
LOCATION:North Range\, William Andrews Clark Memorial Library\, 2520 Cimarron St\, Los Angeles\, 90018\, United States
CATEGORIES:Tours
ATTACH;FMTTYPE=image/png:https://www.aialosangeles.org/wp-content/uploads/2025/10/UCLA-Library.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251114T130000
DTEND;TZID=America/Los_Angeles:20251114T140000
DTSTAMP:20260427T211801
CREATED:20251008T154641Z
LAST-MODIFIED:20251029T185527Z
UID:124304-1763125200-1763128800@www.aialosangeles.org
SUMMARY:ARCH TOUR FEST: El Paradiso
DESCRIPTION:Photo Credit: Jim Simmons \nARCH TOUR FEST: El Paradiso\nEl Paradiso (also known as the Grossman House) is the only existing all-aluminum house by Raphael Soriano\, FAIA\,. Architect Linda Brettler\, AIA\, embarked on a renovation in the spirit of the original\, transforming it into a home and architecture studio for herself. Working from original blueprints\, she updated the1964\, 3\,800-square-foot house to returned it to its ideal state\, while reworking inappropriate earlier revisions. To make it more inviting and incorporate her own design vision\, she discovered and embellished upon the house’s original sense of whimsy\, color\, and surprise. Situated on an oblong lot in the hills above Studio City in Los Angeles’s San Fernando Valley\, the house’s perpendicular orientation and flowing functional floor plan allow for privacy and views from all rooms. \nOne of the more unusual aspects of the open-plan layout is that areas are separated by cabinetry rather than walls. These floating cabinetry units made from Micarta (an early form of high-pressure laminate) are designed to reflect the purpose and proportions of a room’s use. Brettler conducted an exacting restoration of the original features. Secondary lighting and LED replacements update the home\, as do the addition of electric shades\, new appliances and plumbing fixtures\, and cork flooring. Original laminates\, terrazzo\, and cork walls were rehabbed with care. The Grossman’s scrapbook of the house is an added bonus for tour-goers to view the original process. \n  \nTour Led by: \n  \nLinda Brettler\, AIA\, principal\, Linda Brettler | Architect \nLinda Brettler\, AIA\, has been a licensed architect since 1992. Her Los Angeles-based practice concentrates on creating single-family homes that fit her clients’ lifestyles. Brettler’s original architecture tends toward a natural contemporary approach\, while her renovation work often entails updating older properties for today’s needs. Her delight in details and materials is evident in the masterful tile work that has become her trademark. Prior to opening her own practice in 1996\, Brettler worked at award-winning architecture firms\, including Moore Ruble Yudell and Brenda Levin and Associates. She holds a BA in biochemistry from Harvard University and a Master of Architecture from UCLA. Brettler has served as the Cultural Heritage Commission’s Architect appointee for three Historic Protection Overlay Zones\, and as a Board Member of the LA Conservancy. \n  \nArchitect: Linda Brettler | Architect (Raphael Soriano original architect)\nBuilding Credits: \nGeneral Contractor: M.S. Elite\nLandscape Architect: Dee Paul\nLandscape Contractor: Luis Estrada\nStructural Engineer: Philip Manalo\nAV/IT Engineer: Barry Shepherd\n \n\nAIA CES: 1.0 LU Approved\nLearning Objectives\nParticipants will experience the authenticity of a carefully restored one-of-a-kind modern home.\nParticipants will be able to outline details of painstaking restoration and see how empathetic changes maintain the spirit of the original.\nParticipants will be able to describe the ingenious use of space and the ability to create privacy within an open plan.\nParticipants will discuss creative ways the architect devised to hang art and place furniture given restrictions of original materials.\nParticipants will review an existing family scrapbook that gives tour-goers an inside look at the original design and construction process. \n  \nParking\nStreet parking available.  No meters. \n 
URL:https://www.aialosangeles.org/event/arch-tour-fest-el-paradiso/
LOCATION:El Paradiso\, 11468 Dona Cecilia Dr.\, Studio City\, CA\, 91604
CATEGORIES:Tours
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